Some Useful Background Reading on Current Feedback Amplifiers

Recently, AudioXpress published an interesting article on the use of feedback amplifiers. The article is Michael Kiwanuka’s “Current Feedback and Voltage Feedback Fallacies” which appeared in June 2017, p32-37. The article purports to clarify certain ‘fallacies’ regarding four basic feedback configurations, using op amps.

The conclusions reached by the article really are most curious. Quoting directly from the final summation: ‘The terms “current feedback amplifier” and “voltage feedback amplifier” as presently used are wholly unfounded. ‘

This is a very odd conclusion, as it flies directly in the face of  3-4 decades of current feedback amplifier (CFA) history! In the attachment cited below, the bibliographic references document this point quite well, and will serve as Useful Background Reading. After careful study, readers should then be able to draw their own conclusions as to whether the feedback system used in conjunction with a given amplifier architecture employs current or voltage. A couple of CFA data sheets will help immeasurably, of course. In fact, this exercise should show just how CFAs operate.

Author MK also is critical of certain book authors on these subjects, namely Professor Sergio Franco and Walt Jung. Accordingly, we have authored a technical rebuttal document, cited below. This document  is supported by other signatories, as noted within. This rebuttal has been forwarded to AudioXpress, along with a request that it be made available to their readership. We are hopeful that in time they will honor this request.

This is an update to this posting, as of 7/12/2017, including a newly revised technical rebuttal document. This revision includes links to the latest errata information from AudioXpress.

See this updated technical rebuttal document for the “Current Feedback and Voltage Feedback Fallacies”, Michael Kiwanuka, AudioXpress, June 2017, p32-37.

Comments on the above are welcome, so address them directly to Indicate if the comment is for publication. Your email address will remain private. All comments are moderated.

Watch these blog pages for additional content of importance.

Walt Jung

Sergio Franco

3 thoughts on “Some Useful Background Reading on Current Feedback Amplifiers”

  1. Recent Confusing Comments on Current Feedback Amplifiers (CFAs) from Michael Kiwanuka

    Hello all,

    I was not aware this was going on until a colleague sent it over. Little bit of an odd interpretation MK has on a type of device we have been developing and designing in around the world since the mid-80’s. I am actually in the late stages of introducing a new CFA device, I don’t see anything in the work by MK that would dissuade me from calling it a current feedback amplifier as was my original intent.

    It appears Walt Jung and Sergio Franco covered some of the technical faux pas in the article, but let me comment on how the name current feedback amplifier (CFA) came about. There is certainly a bit of marketing slang involved there, but also very descriptive we believe.

    Having worked in the original CFA development group in Comlinear from 1985 on, we were the source for a lot of what came later.

    In the late 80’s, David Potson (one of several original authors on this topic) and myself were literally circling the globe giving CFA seminars to an initially skeptical design community. I am reminded of that period in MK’s article as customers tried to force the topology into the canonical forms. The way I ended up getting past that was to emphasize that the complete solution was really two amplifiers operating together, not a simple one feedback situation – this might be the piece MK has gone past without appreciating its significance.

    The input buffer across the inputs operates separately from the high transimpedance forward path and output stage buffer. You can open the external feedback loop and still get a wideband buffer across the inputs – that buffer controls the voltage on the inverting node whether you have feedback or not. At various times I have tried to use this as a simple current controlled comparator. Running a CFA open loop will bang the output against the rails as the polarity of the current in the inverting node (buffer output) flips. Not too useful, as the output saturation recovery time is not controlled.

    The real magic of what we have come to call a current feedback op amp is the dual use in the emitter followers at the inverting input. Not only do these transistors provide the voltage follower output function for the buffer across the inputs, but they cascode the “error current” from the feedback network into the inverting node up and down through the current mirrors to the high transimpedance node that is then buffered to the output by the output stage. This “error current” is very real and how the parts operate – hence the current feedback name.

    When you step through the transfer function using these simple pieces, you end up with a simple transfer function that shows that the frequency response part of the Loop Gain is partially de-coupled from the signal gain (gain bandwidth independence) – the feedback resistor is the compensation element. As Sergio Franco and Walt Jung noted, making the impedance lower looking into the inverting input (buffer output impedance) will move towards ideal gain bandwidth independence – that was the idea behind the closed loop input buffer I put into the OPA684 and OPA683 products. Closing the loop locally in the buffer across the inputs vastly reduces the impedance looking into that pin.

    Some of the original app notes I wrote back then, and still very popular with customers, cover CFA loop gain development in simple form.

    This one says it is obsolete, but only because all the devices are discontinued – the steps are there and simple to follow.

    This is OA-12 in the original Comlinear databooks

    This one came from all the customer calls we took as the first source of commercially available CFA. I still see designers wanting to bandlimit the response with a cap across the feedback, so I send this one out to them as that is a really bad idea for current feedback parts.

    This is OA-15 in the original Comlinear databooks.

    For a circuit-block-naming purist, current feedback may be a little odd, but it describes exactly how the amplifier operates. We at Comlinear starting using that name early on – and, in fact, when ADI introduced their first versions, ADI tried to call them “transimpedance amplifiers” presumably to be different (this is just naming the part for how we get the open loop gain). We at Comlinear objected strenuously as that seemed to confuse the field, given that there was already a closed loop architecture (photo-diodes amplifiers for instance) using that name. ADI saw the wisdom in that and switched over to current feedback. The “transimpedance amplifier” in fact remains a large area of activity for us where I send out this application note a couple of times/week.

    It is unlikely there are too many folks in the component vendor world that have prepared and presented more CFA vs. VFA seminars than I have. There are very real differences and we exploit those for different needs. My simple summary these days is that CFA’s normally show up leading away from a DAC (the most ubiquitous being DSL line drivers) while VFA type parts (op amps and FDA’s now) show up leading up to an ADC. In fact, the original genealogy for the CFA started from David Nelson’s work doing HP ARB output stage designs. If you wanted to actually buy the output stage amplifier using the CFA design from a circa 1980’s HP ARB, you can get that as the CLC142 (originally called the CLC102 – maybe only on eBay now). That one has the same input buffer stage cascoding an error current in the buffer output transistors. But then only a current mirror gain stage to the output for what we called a “Norton” output stage – later implemented in the CLC560 and later still the KH560. That last one might be the only remaining documented one –

    There is still new product working going on with CFA’s where some of my recent work shows up in this example 4-channel DAC output demo platform. The Output Power Stage (OPS) in the THS3217 applied here is one of the first new CFA line drivers for AWG or ARB apps done in quite some time. The 20Vpp driver with the THS3091 CFA op amps shown in this example document is being upgraded soon to a vastly improved device. I can guarantee you that new device will be called a “Current Feedback Amplifier” since I am writing the datasheet and am very comfortable with that name being both accurate and well understood in the design community for what benefits it brings. This latter is probably most important. When I am talking to AWG designers, they know immediately what I mean by current feedback amplifiers and why they belong right behind the output jack on their boxes.

    Michael Steffes
    Sr. Member of Technical Staff
    Tucson, AZ.

    1. In 1989 when I was a Burr-Brown NY Apps engineer, one of my first exciting products was the new ADC603, a 12-bit, 10 MHz ADC in a .600 wide, hermetic metal DIP package that was the first of its kind to replace an ADC board-product design. There were two companies that I called on in Long Island, NY: Fairchild Weston Systems in Syosset, NY and Grumman Aerospace in Great River, NY.

      Both of these companies wanted the ADC603. The front-end amplifiers of choice at that time was the CLC203 or CLC231 from Comlinear — both were current feedback amplifiers. Just about every customer I had visited back then, with a high speed interest in the ADC603, wanted the Comlinear front end amp. There were many other high speed op amps on the market at that time by other vendors such as Burr-Brown and ADI, who were the most prominent, but Comlinear dominated the current feedback arena.

      Fairchild Weston Systems had just acquired the CCD image sensor team from Ford Aerospace in 1989 just as Loral Corp. was acquiring Fairchild Weston, and they were working on a military space-borne camera at the time and Grumman was revamping the Navy’s E-2C Hawkeye Phased-array RADAR dish atop that aircraft. These were the designs that employed the ADC603 and the CLC203/231 amplifier front ends in the initial development.

      Best regards,
      Steve Taranovich
      Editor-in-chief, Planet Analog
      Senior technical editor, EDN Analog and Power

    2. CFA’s by Michael Kiwanuka


      I was very surprised to read the Michael Kiwanuka article on CFA’s, and noted his persistence to essentially discredit decades of work and analysis for what seems to be a desperate search for notoriety.

      If he only knew who you two gentlemen (Sergio and Walt) really were! Along with Derek Bowers, Michael Steffes, and several others party to this dialogue.

      As an anecdote, I still remember the very first time I got to present op amp stability to a large audience of then ADI FAE’s in Boston, as part of the 2002 amplifier seminar. Walt Jung, Walt Kester, James Bryant, Bruce Homan were all in the audience, and just the thought of presenting to these big names technical information was frankly quite intimidating. In my book, this is called respect.

      If nothing else, MK should have done his research on these names, to find out what contributions these great minds have made to the industry. Some of Derek’s designs are still ADI’s best sellers after more than 20 years.

      It was an honor for me to have worked with you Walt, Derek, Michael, etc. And it was a blessing to have had Professor Franco teach me everything I know today (which is still very little compared to all of you). I genuinely feel proud just being able to communicate with you.

      Thanks to you both, Professor Franco and Walt, and to all the other contributors on CFA knowledge.

      The French have a saying “silence kills insolence”

      Soufiane Bendaoud
      TI development manager for precision amplifiers
      former Sergio Franco student at SFSU